Thursday, February 14, 2013

Book Review: Wild Animus



This is a review of the Advance Reading Copy of Wild Animus by Rich Shapero, Published in 2004.



When I first read the back cover, the things that stood out were the parts stating that “all proceeds from the sale of this book will be dedicated to the conservation of strategic wilderness lands in Alaska.” The book screamed out conservation and environmentalism, which I am okay with. But the first couple of pages made me hesitant about reading the book in its entirety. The descriptions given were very intellectual. The language used was very precise and it was written in a way that suggested this was a book more for a literature class than casual reading. I have a decent lexicon, but I had to start keeping a journal of words that I should look up the specific meaning to confirm the connotations derived from context clues. I wound up with about 20-30 words on the list by the time I stopped reading.

For as uptight as the descriptions are, the dialogue was wonderful. It sounded like people actually talking and interacting. One thing was said, another thing was done, and the characters reacted appropriately according to their personality and experiences. It was a delight to read the dialogue because things happened, people acted and reacted. It's a shame that multiple character interactions are a very limited part of the book.

To summarize the plot of Wild Animus, our main character Sam Altman starts out at Berkeley in 1969 during the riots. He gets tear-gassed, and helps another student, a girl named Lindy, out of the gas and into a store to get water to rinse their eyes. He feels a connection to her and asks her for her number. From there, Sam and Lindy go on a drug filled journey where Sam identifies with a White Dall Ram that was on the cover of the magazine he used to get Lindy's number, and then Lindy supports Sam, now calling himself Ransom, as they flee from their life in Berkeley to Seatle, and then into the Wrangell Mountains. Which ultimately leads to Ransom's death. This doesn't really spoil anything for you as a reader, because in the PROLOGUE, you have Lindy Altman in a helicopter flying over a volcano finding “his body” with blood on his chest, and on the inside of the crater, but ultimately unable to recover the body due to weather.

I will admit to being unable to finish this book. I made it through 7 of the 14 chapters before taking out my bookmark and closing it without any intention to return. And here's why: I didn't have any positive connection to Sam/Ransom. I didn't like him or care about him. I also didn't hate him. I felt more of a connection, or rather sympathy, with Lindy having to deal with her boyfriend who went off climbing mountains to get closer to nature and trip acid, while she was holding down a job and basically financing him. And if Lindy were more prominently portrayed by the middle of the book, I might have cared more about her to find out how she turned out. As it was, the book was firmly about and around Sam, and often only with one other person. This leads to long-winded chapters describing elusive and artistic feelings and visions as our main character takes another quarter tab of acid. Overall, the tone of the book was narcissistic and self-important. No other character got strong focus and emphasis, and there wasn't enough of a connection presented with the main character to want to follow him on his journey.

I would recommend this book to intellectual environmentalist pot-heads. I wish it was worth suggesting as a literature course quality book, or an artistic environmentalist book, but the content is out of touch with a general audience. If you come across this book, give it a try, but if you read the prologue and find yourself disinterested, close it and put it away, because outside of the first three or four chapters, it's just more of the same.

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